Madelaine and her Historical Performance Practice colleagues will perform 15th-century Italian motets, one singer per part.

From the Music Department website:

Courtly and popular music of 16th- and 17th-century Italy for a variety of winds and strings, including balli, motets, madrigals, and canzoni.

Free and open to the public. Paid parking available in the Ford Avenue garage, Severance Hall garage or at the meters along Bellflower Road and East Blvd.

Madelaine will sing a duet by the 17th-century nun Chiara Margarita Cozzolani, with recitalist Sarah Coffman. This is part of Ms. Coffman’s recital for her Doctor of Musical Arts in Historical Performance Practice.

Madelaine and her Historical Performance Practice colleagues will perform French music, one singer per part.

From the Music Department website:

Sacred motets, secular love songs, instrumental chamber music, theatrical dances and dance airs from the French court around the turn of the 18th century

Free and open to the public. Paid parking available in the Ford Avenue garage, Severance Hall garage or at the meters along Bellflower Road and East Blvd.

Madelaine will be singing the aria “Fond flatt’ring world, adieu” from Handel’s late oratorio Theodora, in a masterclass with renowned opera director Peter Sellars. Performing with Madelaine will be Addi Liu on violin, Sarah Coffman on cello, and Peter Bennett on harpsichord.

The masterclass will be followed by a presentation in Case Western Reserve University’s Department of Music’s Colloquium series.

From the Music Department website:

Open Workshop with Peter Sellars

Date: October 11, 2019 1:00 pm
Location: Harkness Chapel

Open to the CWRU/CIM community, 1:00-3:30 pm

The Department of Music opens Harkness Chapel to the wider CWRU/CIM community.
Join us in the audience as Peter Sellars coaches students in an intimate setting.

– following the workshop – 

“Staging the Music: Peter Sellars in Conversation” with Susan McClary, 4:00 pm

More information and registration here.

About Peter Sellars
Peter Sellars has gained international renown for his groundbreaking and transformative interpretations of artistic masterpieces and for collaborative projects with an extraordinary range of creative artists. He has staged operas at the Dutch National Opera, English National Opera, Lyric Opera of Chicago, Opéra National de Paris, Salzburg Festival, and San Francisco Opera, among others.

He has collaborated on the creation of many works with composer John Adams, including Nixon in China, The Death of Klinghoffer, El Niño, Doctor Atomic, A Flowering Tree, and The Gospel According to the Other Mary. Inspired by the compositions of Kaija Saariaho, Sellars has guided the creation of productions of her work that have expanded the repertoire of modern opera.

On weekends in May at the Museum of Contemporary Art Cleveland (moCa Cleveland) and in July at the Cleveland Museum of Art (CMA), Madelaine will sing in the performance art piece “Sonic Blossom,” by Lee Mingwei. MoCA Cleveland describes the piece as follows:
”Sonic Blossom (2013) is an interactive performance that imparts the gift of song to visitors. On designated days in May, a locally-trained soloist wearing an elaborate costume will select and sing one of Franz Schubert’s lieders (German poems set to music) to a museum guest who is seated in a specially-designed chair. For this participatory work, moCa partnered with the Cleveland Institute of Music (CIM) to identify student singers to perform. After moCa's performances during Friday, Saturday, and Sundays in May, the Cleveland Museum of Art (CMA) will present the work in its European painting galleries in July. ”

Madelaine’s performance dates and times are:
Friday, May 10, noon-4 PM at MoCa Cleveland
Sunday, May 12, noon-4 PM at MoCa Cleveland
Friday, May 17, noon-4 PM at MoCa Cleveland
Sunday, May 19, noon-4 PM at MoCa Cleveland
Sunday, July 28, noon-4PM at CMA

All performances are free and open to the public!

Madelaine will sing the role of Phaedre in the Amherst Early Music Festival Baroque Opera Academy’s production “Anch’io.” The festival describes the piece as follows:

“Ariadne's "#me too" moment is dramatically depicted in six operatic retellings of the Greek myth by Monteverdi, Conradi, Handel, Haydn, and others.“

For more information, visit: http://www.amherstearlymusic.org/

On weekends in May at the Museum of Contemporary Art Cleveland (moCa Cleveland) and in July at the Cleveland Museum of Art (CMA), Madelaine will sing in the performance art piece “Sonic Blossom,” by Lee Mingwei. MoCA Cleveland describes the piece as follows:
”Sonic Blossom (2013) is an interactive performance that imparts the gift of song to visitors. On designated days in May, a locally-trained soloist wearing an elaborate costume will select and sing one of Franz Schubert’s lieders (German poems set to music) to a museum guest who is seated in a specially-designed chair. For this participatory work, moCa partnered with the Cleveland Institute of Music (CIM) to identify student singers to perform. After moCa's performances during Friday, Saturday, and Sundays in May, the Cleveland Museum of Art (CMA) will present the work in its European painting galleries in July. ”

Madelaine’s performance dates and times are:
Friday, May 10, noon-4 PM at MoCa Cleveland
Sunday, May 12, noon-4 PM at MoCa Cleveland
Friday, May 17, noon-4 PM at MoCa Cleveland
Sunday, May 19, noon-4 PM at MoCa Cleveland
Sunday, July 28, noon-4PM at CMA

All performances are free and open to the public!

On weekends in May at the Museum of Contemporary Art Cleveland (moCa Cleveland) and in July at the Cleveland Museum of Art (CMA), Madelaine will sing in the performance art piece “Sonic Blossom,” by Lee Mingwei. MoCA Cleveland describes the piece as follows:
”Sonic Blossom (2013) is an interactive performance that imparts the gift of song to visitors. On designated days in May, a locally-trained soloist wearing an elaborate costume will select and sing one of Franz Schubert’s lieders (German poems set to music) to a museum guest who is seated in a specially-designed chair. For this participatory work, moCa partnered with the Cleveland Institute of Music (CIM) to identify student singers to perform. After moCa's performances during Friday, Saturday, and Sundays in May, the Cleveland Museum of Art (CMA) will present the work in its European painting galleries in July. ”

Madelaine’s performance dates and times are:
Friday, May 10, noon-4 PM at MoCa Cleveland
Sunday, May 12, noon-4 PM at MoCa Cleveland
Friday, May 17, noon-4 PM at MoCa Cleveland
Sunday, May 19, noon-4 PM at MoCa Cleveland
Sunday, July 28, noon-4PM at CMA

All performances are free and open to the public!

On weekends in May at the Museum of Contemporary Art Cleveland (moCa Cleveland) and in July at the Cleveland Museum of Art (CMA), Madelaine will sing in the performance art piece “Sonic Blossom,” by Lee Mingwei. MoCA Cleveland describes the piece as follows:
”Sonic Blossom (2013) is an interactive performance that imparts the gift of song to visitors. On designated days in May, a locally-trained soloist wearing an elaborate costume will select and sing one of Franz Schubert’s lieders (German poems set to music) to a museum guest who is seated in a specially-designed chair. For this participatory work, moCa partnered with the Cleveland Institute of Music (CIM) to identify student singers to perform. After moCa's performances during Friday, Saturday, and Sundays in May, the Cleveland Museum of Art (CMA) will present the work in its European painting galleries in July. ”

Madelaine’s performance dates and times are:
Friday, May 10, noon-4 PM at MoCa Cleveland
Sunday, May 12, noon-4 PM at MoCa Cleveland
Friday, May 17, noon-4 PM at MoCa Cleveland
Sunday, May 19, noon-4 PM at MoCa Cleveland
Sunday, July 28, noon-4PM at CMA

All performances are free and open to the public!

On weekends in May at the Museum of Contemporary Art Cleveland (moCa Cleveland) and in July at the Cleveland Museum of Art (CMA), Madelaine will sing in the performance art piece “Sonic Blossom,” by Lee Mingwei. MoCA Cleveland describes the piece as follows:
”Sonic Blossom (2013) is an interactive performance that imparts the gift of song to visitors. On designated days in May, a locally-trained soloist wearing an elaborate costume will select and sing one of Franz Schubert’s lieders (German poems set to music) to a museum guest who is seated in a specially-designed chair. For this participatory work, moCa partnered with the Cleveland Institute of Music (CIM) to identify student singers to perform. After moCa's performances during Friday, Saturday, and Sundays in May, the Cleveland Museum of Art (CMA) will present the work in its European painting galleries in July. ”

Madelaine’s performance dates and times are:
Friday, May 10, noon-4 PM at MoCa Cleveland
Sunday, May 12, noon-4 PM at MoCa Cleveland
Friday, May 17, noon-4 PM at MoCa Cleveland
Sunday, May 19, noon-4 PM at MoCa Cleveland
Sunday, July 28, noon-4PM at CMA

All performances are free and open to the public!

Madelaine sings the role of a Priestess of Diana in four performances of Rameau’s opera "Hippolyte et Aricie" on February 27 and 28 and March 1 and 2, 2019. Madelaine is also a featured Baroque dancer in the opera. The historically informed production is a collaboration between the Case Western Reserve University Historical Performance Practice Program and the Cleveland Institute of Music Opera Theater.

Description from Cleveland Institute of Music:

ABOUT

Rameau’s sumptuous opera Hippolyte et Aricie takes us into a magical world of heroes and lovers, goddesses and monsters, forest creatures, sailors and hunters. Its rich orchestration and thrilling vocal writing tells a compelling story (based on Racine’s Phèdre) of the young lovers Hippolyte and Aricie kept apart by their devotion to the goddess Diana and by Phèdre’s illicit love for her stepson. Co-produced by CIM and CWRU, the opera is staged in period style with baroque dance and a baroque orchestra. All performances include projected English text.

This performance is presented in celebration of the 50th anniversary of the Joint Music Program between CIM and CWRU.

Funded in part by a grant from the John P. Murphy Foundation.

PERFORMED BY

• CIM Opera Theater

• Ellen Hargis, guest director

• Harry Davidson, conductor

• CWRU Baroque Orchestra

TICKET INFORMATION

$20 adults | $15 seniors and groups 10+ | $10 students
For more information, call 216.795.3211.

LOCATION

11021 East Boulevard
Cleveland, OH 44106
Get Directions

The Hazel Drive entrance is open during regular business hours, and accessible to concertgoers and patrons. The East Boulevard entrance is open one hour before each concert. 

Madelaine sings the role of a Priestess of Diana in four performances of Rameau’s opera "Hippolyte et Aricie" on February 27 and 28 and March 1 and 2, 2019. Madelaine is also a featured Baroque dancer in the opera. The historically informed production is a collaboration between the Case Western Reserve University Historical Performance Practice Program and the Cleveland Institute of Music Opera Theater.

Description from Cleveland Institute of Music:

ABOUT

Rameau’s sumptuous opera Hippolyte et Aricie takes us into a magical world of heroes and lovers, goddesses and monsters, forest creatures, sailors and hunters. Its rich orchestration and thrilling vocal writing tells a compelling story (based on Racine’s Phèdre) of the young lovers Hippolyte and Aricie kept apart by their devotion to the goddess Diana and by Phèdre’s illicit love for her stepson. Co-produced by CIM and CWRU, the opera is staged in period style with baroque dance and a baroque orchestra. All performances include projected English text.

This performance is presented in celebration of the 50th anniversary of the Joint Music Program between CIM and CWRU.

Funded in part by a grant from the John P. Murphy Foundation.

PERFORMED BY

• CIM Opera Theater

• Ellen Hargis, guest director

• Harry Davidson, conductor

• CWRU Baroque Orchestra

TICKET INFORMATION

$20 adults | $15 seniors and groups 10+ | $10 students
For more information, call 216.795.3211.

LOCATION

11021 East Boulevard
Cleveland, OH 44106
Get Directions

The Hazel Drive entrance is open during regular business hours, and accessible to concertgoers and patrons. The East Boulevard entrance is open one hour before each concert. 

Madelaine sings the role of a Priestess of Diana in four performances of Rameau’s opera "Hippolyte et Aricie" on February 27 and 28 and March 1 and 2, 2019. Madelaine is also a featured Baroque dancer in the opera. The historically informed production is a collaboration between the Case Western Reserve University Historical Performance Practice Program and the Cleveland Institute of Music Opera Theater.

Description from Cleveland Institute of Music:

ABOUT

Rameau’s sumptuous opera Hippolyte et Aricie takes us into a magical world of heroes and lovers, goddesses and monsters, forest creatures, sailors and hunters. Its rich orchestration and thrilling vocal writing tells a compelling story (based on Racine’s Phèdre) of the young lovers Hippolyte and Aricie kept apart by their devotion to the goddess Diana and by Phèdre’s illicit love for her stepson. Co-produced by CIM and CWRU, the opera is staged in period style with baroque dance and a baroque orchestra. All performances include projected English text.

This performance is presented in celebration of the 50th anniversary of the Joint Music Program between CIM and CWRU.

Funded in part by a grant from the John P. Murphy Foundation.

PERFORMED BY

• CIM Opera Theater

• Ellen Hargis, guest director

• Harry Davidson, conductor

• CWRU Baroque Orchestra

TICKET INFORMATION

$20 adults | $15 seniors and groups 10+ | $10 students
For more information, call 216.795.3211.

LOCATION

11021 East Boulevard
Cleveland, OH 44106
Get Directions

The Hazel Drive entrance is open during regular business hours, and accessible to concertgoers and patrons. The East Boulevard entrance is open one hour before each concert. 

Madelaine sings the role of a Priestess of Diana in four performances of Rameau’s opera "Hippolyte et Aricie" on February 27 and 28 and March 1 and 2, 2019. Madelaine is also a featured Baroque dancer in the opera. The historically informed production is a collaboration between the Case Western Reserve University Historical Performance Practice Program and the Cleveland Institute of Music Opera Theater.

Description from Cleveland Institute of Music:

ABOUT

Rameau’s sumptuous opera Hippolyte et Aricie takes us into a magical world of heroes and lovers, goddesses and monsters, forest creatures, sailors and hunters. Its rich orchestration and thrilling vocal writing tells a compelling story (based on Racine’s Phèdre) of the young lovers Hippolyte and Aricie kept apart by their devotion to the goddess Diana and by Phèdre’s illicit love for her stepson. Co-produced by CIM and CWRU, the opera is staged in period style with baroque dance and a baroque orchestra. All performances include projected English text.

This performance is presented in celebration of the 50th anniversary of the Joint Music Program between CIM and CWRU.

Funded in part by a grant from the John P. Murphy Foundation.

PERFORMED BY

• CIM Opera Theater

• Ellen Hargis, guest director

• Harry Davidson, conductor

• CWRU Baroque Orchestra

TICKET INFORMATION

$20 adults | $15 seniors and groups 10+ | $10 students
For more information, call 216.795.3211.

LOCATION

11021 East Boulevard
Cleveland, OH 44106
Get Directions

The Hazel Drive entrance is open during regular business hours, and accessible to concertgoers and patrons. The East Boulevard entrance is open one hour before each concert. 

Madelaine performs as a solo Baroque dancer in a minuet and chaconne, both from Rameau’s opera Hippolyte et Aricie. Madelaine will perform in the full opera in February and March, 2019!

Official Description from Case Western Reserve University:
”CWRU’s Early Music Singers, Baroque Dance Ensemble and Collegium join forces for this sumptuous presentation of entertainment ranging from intimate recorder consorts to theatrical dances. The Baroque Dance Ensemble returns after a year-long hiatus to showcase 18th-century dances and gesture in preparation for the Spring 2019 Baroque opera production, Hippolyte et Aricie by Jean-Philippe Rameau.”

In this preview performance for the spring 2019 production of “Hippolyte et Aricie,” Madelaine will sing Aricie’s aria “Ou suis je…Quel doux concerts” with the Case Western Reserve University Baroque Orchestra.

Description from the Baroque Orchestra:

When Jean-Philippe Rameau premiered his first opera, Hippolyte et Aricie, at age 50, opera audiences were stunned. His brilliant orchestration, dissonances and virtuosity delighted many, while others were appalled by his lack of deference to his great predecessor, Jean-Baptiste Lully. By its third revival in 1757, the opera was still controversial, but tastes were evolving as listeners sought clearer lighter textures. That same year, Joseph Haydn, age 25, took up his first job as music director, and shortly thereafter he began exploring these textures in new genres, particularly the string quartet and symphony. The juxtaposition of these two maters’ “new” styles in one concert is revealing, capturing the best of two musical worlds.

Free and open to the public. Paid parking available in the Ford Avenue garage, the Severance Hall garage or at the meters along Bellflower Road and East Blvd.

Madelaine performs the role of Cupid (and chorus), and covers the role of Semele, in Handel's opera Semele. This unstaged production features the American Bach Soloists Chorus and Orchestra, along with ABS Academy vocal soloists. Jeffrey Thomas conducts.

A previous performance occurs on August 9 at 7:30 PM. 

From the American Bach Soloists website:
"Large-scale opera and oratorio is a major component of every ABS Summer Festival. Based on an English opera libretto yet designated “after the manner of an Oratorio,” Handel’s Semele melds the two forms into one superb work."

Madelaine performs the role of Cupid (and chorus), and covers the role of Semele, in Handel's opera Semele. This unstaged production features the American Bach Soloists Chorus and Orchestra, along with ABS Academy vocal soloists. Jeffrey Thomas conducts. 

A second performance occurs on August 10 at 7:30 PM. 

From the American Bach Soloists website:
"Large-scale opera and oratorio is a major component of every ABS Summer Festival. Based on an English opera libretto yet designated “after the manner of an Oratorio,” Handel’s Semele melds the two forms into one superb work."

Madelaine performs the aria "Laß uns, o höchster Gott" from Bach's cantata Jesu, nun sei gepreiset, BWV 41, with an ensemble including oboes, bassoon, and harpsichord. 

Please note: Although a second performance by the same name occurs at 8:00 PM that evening, Madelaine will not be in the second performance.

From the American Bach Soloists website:
Academy participants are featured exclusively in two programs of Academy-in-Action ”Baroque Marathon” Concerts offering chamber vocal and instrumental works by Baroque masters. (Free).

Madelaine performs the soprano solo in the duet "Christe eleison," as part of a complete performance of Bach's B Minor Mass. Please note: Although American Bach Soloists repeats the performance on August 12, Madelaine will not be singing in the August 12 performance. 

From the American Bach Soloists website:
An annual pilgrimage for many concert-goers, ABS’s performances of the work that represents the pinnacle of Baroque music are legendary, especially in the passionate and dedicated hands of ABS Academy faculty and participants.

Marin Society of Artists presents:
Violin & Voice: A Romance

Tuesday, July 24th, 7:30 pm
Doors open at 7:00 pm
Madelaine Matej MacQueen, soprano
James Matej MacQueen, violin

Since the 1500s, people have compared the sound of the violin
to the human voice. Surprisingly, works featuring just violin
and voice are rare. In this program, the artists present original
works and arrangements of pieces that showcase the happy
marriage of the violin and the soprano voice. From madrigals
by Monteverdi to works from the 21st century, the duo traces
the instruments’ romance through history to create an
enthralling musical tale!

1515 3rd Street, San Rafael, CA 94901
Tickets $20 at the door • open seating.

https://www.marinsocietyofartists.org/
https://www.facebook.com/marinsocietyofartists/

House Concert!
James & Madelaine Matej MacQueen
Violin & Soprano

Returning to their roots in the San Francisco Bay Area, James & Madelaine present
a program of favorite songs and other works for violin and soprano, accompanied by
Patti Cobb on piano. From Scottish folk music to classical arias (and plenty in
between), this is a concert that is certain to delight the listener!

RSVP To Margaret Ward via email margaretww@comcast.net, or James MacQueen
at 925-783-9353 for address and directions. Seating is limited, so don’t delay!
Recommended donation of $15 per person at the door

Madelaine performs the role of Aglante (and chorus) in Lully's opera Cadmus et Hermione. 

Amherst Early Music Festival; Drew Minter, stage director; Adam Pearl, conductor; Aaron Sheehan, vocal coach.

Location: Connecticut College, Cummings Arts Center 270 Mohegan Avenue, New London, CT 06320

From the Amherst Early Music website:
"With Cadmus et Hermione, in 1673, Lully and poet Philippe Quinault invented a new type of entertainment, the tragédie lyrique. With its plot of amorous intrigue, Cadmus et Hermione involves thwarted high-born lovers, mythological beasts, numerous gods and goddesses attempting to control their liaison, and comic servants with amorous designs of their own. There are several excellent roles for baritones (Lully had yet to create leading roles for haute-contre) and sopranos (possible for higher mezzos), as well as roles for countertenors and tenors. The opera project is fully costumed and staged.  It includes instruction by Drew Minter in period acting and performance techniques, and singers also take part in masterclasses with Aaron Sheehan and Jason McStoots."

Ms. Matej was a 2016 recipient of the Avanti Award from the Joseph and Frances Brucia Foundation. The award's motto is "Go forth and seek your artistic passion." Madelaine will perform as a soloist at the 2017 Avanti Awards dinner, where she will also present on her progress since receiving the award. Click here for more information.

Summit Choral Society presents its Christmas Candlelight Concert on December 16, 17, and 18 at 7:30 PM, at St. Bernard Catholic Church in Akron, OH. Ms. Matej is the soprano section leader and will sing a solo. Purchase tickets at this link.

Summit Choral Society presents its Christmas Candlelight Concert on December 16, 17, and 18 at 7:30 PM, at St. Bernard Catholic Church in Akron, OH. Ms. Matej is the soprano section leader and will sing a solo. Purchase tickets at this link. 

Summit Choral Society presents its Christmas Candlelight Concert on December 16, 17, and 18 at 7:30 PM, at St. Bernard Catholic Church in Akron, OH. Ms. Matej is the soprano section leader and will sing a solo. Purchase tickets at this link. 

James Toland Vocal Arts is an Oakland, CA based nonprofit established to encourage and cultivate, through competition and education, the emerging talents of singers who aspire to a professional career in vocal performance.
 
The 2016 JTVA Competition Weekend is comprised of four events which are all open to the public. Singers will compete for $20,000 in prize money and opportunities to perform with the Oakland Symphony and San Mateo-based Masterworks Chorale. All events will be held at the Valley Center for the Performing Arts on the Holy Names University campus, 3500 Mountain Boulevard in Oakland, CA.

Biographies and a video preview of this year's finalists can be seen at http://www.jamestolandvocalarts.org/the-2016-finalists.

Events:

Tier Two Master Class - Friday, June 24, 2016 at 3:30 p.m.
Robin Fisher will conduct a master class for the seven Tier Two competition finalists. Ms. Fisher is Professor of Voice at California State University, Sacramento. She is a lyric coloratura soprano who has performed to critical acclaim throughout Europe and the United States, including Paris, Vienna, Prague, Hamburg, Chicago, and Dallas.
 
Tier One Master Class - Friday, June 24, 2016 at 6:00 p.m.
Noted coach, conductor, accompanist, and chorus master Timothy Shaindlin will conduct a master class for the seven Tier One competition finalists. Mr. Shaindlin has served on the music staffs of the Metropolitan Opera, New York City Opera, Lyric Opera of Chicago, Washington National Opera, San Diego Opera, Florentine Opera, and Pittsburgh Opera, among many others. This class will be a wonderful opportunity to see these fine singers continue to develop their talents under the mentorship of this great artist.

Tier Two Vocal Competition Finals - Saturday, June 25, 2016 at 3:30 p.m.
Tier Two is for singers who are studying at or near the college level and considering a professional singing career. Seven finalists will compete before a judging panel and live audience.

Tier One Vocal Competition Finals - Saturday, June 25, 2016 at 7:00 p.m.
Tier One is for singers who have studied voice extensively, developed substantial skill in vocal performance, and are ready to begin a professional career. Seven finalists will compete before a judging panel and live audience.

Food and beverages will be available for purchase during the break between the two competition finals.

Tickets:

Tickets may be purchased separately for each event. The individual ticket price for each event is $20 for General Admission, $10 for Students. Tickets will also be available for purchase at the door.

James Toland Vocal Arts is an Oakland, CA based nonprofit established to encourage and cultivate, through competition and education, the emerging talents of singers who aspire to a professional career in vocal performance.
 
The 2016 JTVA Competition Weekend is comprised of four events which are all open to the public. Singers will compete for $20,000 in prize money and opportunities to perform with the Oakland Symphony and San Mateo-based Masterworks Chorale. All events will be held at the Valley Center for the Performing Arts on the Holy Names University campus, 3500 Mountain Boulevard in Oakland, CA.

Biographies and a video preview of this year's finalists can be seen at http://www.jamestolandvocalarts.org/the-2016-finalists.

Events:

Tier Two Master Class - Friday, June 24, 2016 at 3:30 p.m.
Robin Fisher will conduct a master class for the seven Tier Two competition finalists. Ms. Fisher is Professor of Voice at California State University, Sacramento. She is a lyric coloratura soprano who has performed to critical acclaim throughout Europe and the United States, including Paris, Vienna, Prague, Hamburg, Chicago, and Dallas.
 
Tier One Master Class - Friday, June 24, 2016 at 6:00 p.m.
Noted coach, conductor, accompanist, and chorus master Timothy Shaindlin will conduct a master class for the seven Tier One competition finalists. Mr. Shaindlin has served on the music staffs of the Metropolitan Opera, New York City Opera, Lyric Opera of Chicago, Washington National Opera, San Diego Opera, Florentine Opera, and Pittsburgh Opera, among many others. This class will be a wonderful opportunity to see these fine singers continue to develop their talents under the mentorship of this great artist.

Tier Two Vocal Competition Finals - Saturday, June 25, 2016 at 3:30 p.m.
Tier Two is for singers who are studying at or near the college level and considering a professional singing career. Seven finalists will compete before a judging panel and live audience.

Tier One Vocal Competition Finals - Saturday, June 25, 2016 at 7:00 p.m.
Tier One is for singers who have studied voice extensively, developed substantial skill in vocal performance, and are ready to begin a professional career. Seven finalists will compete before a judging panel and live audience.

Food and beverages will be available for purchase during the break between the two competition finals.

Tickets:

Tickets may be purchased separately for each event. The individual ticket price for each event is $20 for General Admission, $10 for Students. Tickets will also be available for purchase at the door.

Madelaine's Senior Recital will be her final performance at University of the Pacific! Please check back for details about repertoire.